Grete, however, changes more than any other character in the story—in essence undergoing her own metamorphosis from a girl into a woman—and that change occurs while her pity for Gregor slowly diminishes.
Horrified by Gregor's appearance, his mother faints, and the manager bolts out of the apartment. All he does is sit behind his desk, talking down to his employees. The dominant genre was lyric poetry. Apart from Grete and her father, she is the only person who is in close contact with Gregor.
He seemed satisfied, however, and the two women, who had been anxiously watching, gave each other a smile of relief. Kafka had no intention of labeling Gregor as any specific thing, but instead wanted to convey Gregor's disgust at his transformation.
Were the employees, without exception, all scoundrels. Besides the psychological approach, interpretations focusing on sociological aspects which see the Samsa family as a portrayal of general social circumstances, have gained a large following as well.
He begins climbing the walls and ceiling for amusement. He ponders the consequences of this delay. Upon discovering Gregor is dead, the family feels a great sense of relief.
The chief thinks he is better than everybody else and treats people disrespectfully. She is very sweet and adoring. If we look first at the unrealistic elements, there is a danger that we will be dazzled and see no more, as in the usual crude reading of Metamorphosis: Gregor spends his time listening through the wall to his family members talking.
After begging to see Gregor, she is finally allowed in his room, but faints as soon as he appears. The play Kaspar ; Eng. Thus, Kafka, in Metamorphosis, puts into the realistic, prosaic environment of the Samsa household a situation that is, to put it mildly, unrealistic: Eventually she comes to resent the role, and it is Grete who decides they must get rid of Gregor.
Part I[ edit ] One day, Gregor Samsa, a traveling salesman, wakes up to find himself transformed into a giant insect the most common translation of the German description ungeheures Ungeziefer, literally "monstrous vermin". Bermejo-Rubio emphasizes that Kafka ordered in that there should be no illustration of Gregor.
Gregor now becomes a burden to his family and is kept locked in his room. His sister, Grete, to whom he is very close, then whispers through the door and begs him to open it. The lodgers, who initially seemed interested in Grete, grow bored with her performance, but Gregor is transfixed by it.
He tries to get out of bed but is incapable of moving his body.
Detailed analysis of Characters in Franz Kafka's The Metamorphosis. Learn all about how the characters in The Metamorphosis such as Gregor Samsa and Grete Samsa contribute to the story and how they fit into the plot.
The Metamorphosis by Franz Kafka is a novella i.e. longer than a short story but shorter than a novel, has been a revolutionary story about the practical yet perennial problem of our society. It is a story about a salesman by the name of Gregor Samsa, who works hard to earn a modest income in a job he hates, living with his father, mother.
The Metamorphosis by Kafka - Many views of existentialism are exposed in Kafka's Metamorphosis. One of these main views is alienation or estrangement which is demonstrated by Gregor's relationship with his family, his social life, and the way he lives his life after the metamorphosis.
One of the saddest aspects of Franz Kafka's novella, The Metamorphosis, concerns the fact that young Gregor Samsa genuinely cares about this family, working hard to support them, even though they do little for themselves.
On the surface, Kafka's novella, seems to be just a tale of Gregor. Grete Samsa. Apart from her brother Gregor, Grete is the only other character addressed by name in the story, a distinction that reflects her relative importance. The Metamorphosis study guide contains a biography of Franz Kafka, literature essays, quiz questions, major themes, characters, and a full summary and analysis.Character analysis of gregor samsa in the metamorphosis a novella by franz kafka